Brush Stroke

'Freud’s Last Session' review: A smart and thoughtful drama

Brush Stroke

Anthony Hopkins plays Sigmund Freud in a fictional meeting with C.S. Lewis in a film adaptation of the 2009 play 'Freud’s Last Session'

Brush Stroke

The film provides an intellectual exercise imagining a debate between Freud, a non-believer, and Lewis, a theologian, on the existence of God

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The film incorporates flashbacks to key events in Freud and Lewis's lives, including their family ties and experiences of love and war

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The story is set in 1939, three weeks before Freud's suicide at age 83, during a time of societal and global division

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Matthew Brown, the film's director, aims to make the largely dialogue-focused narrative visually engaging, featuring shared personal histories and evocative imagery

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Hopkins' performance is considered riveting and award-worthy, while Matthew Goode provides fine balance in the less showy role of Lewis